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Alamo Drafthouse to Screen ‘It’ Exclusively for Clowns Amid Massive Box Office Predictions

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At the start of the summer, the Alamo Drafthouse generated a lot of buzz by offering a screening of Wonder Woman exclusively for women. Many people loved the idea, but there was some pushback from disgruntled male fans who weren’t invited to the party. This September, the theater chain’s flagship Austin location will carry on its new tradition with an exclusive screening that nearly everyone will agree on: a clown-only screening of It!

That’s right, this event will afford everyone the priceless opportunity to see the highly anticipated movie while dressed as a clown and surrounded by clowns! This particular screening will occur on Saturday, September 9th at 7:00 PM. Every other screening will be (mostly) clown-free, if you want to leave your greasepaint at home. Here is the official description of the event, from the Alamo Drafthouse event website: read more

Female Directors Discuss the Positive Impact of Ryan Murphy’s Half Foundation

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2017 has been an incredible year for female directors. Patty Jenkin’s Wonder Woman is the highest grossing domestic superhero movie of the year and one of the highest-reviewed superhero movies of all time. Sofia Coppola became the second woman ever to win “Best Director” at Cannes Film Festival for her work on The Beguiled. And Kathryn Bigelow’s Detroit is already generating Oscar buzz. The unfortunate side of these recent achievements is that it didn’t happen much sooner; women have traditionally not been offered the same opportunities as men when it comes to directing major Hollywood projects. While the successes of Jenkins, Coopola and Bigelow are promising, it is clear that more needs to be done to provide equal opportunities for women in filmmaking. read more

Patty Jenkins and Chris Pine to Reunite for TNT Black Dahlia Series

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It’s been an amazing summer for Patty Jenkins and Chris Pine. Wonder Woman, which was directed by Jenkins and featured Pine as Steve Trevor, became one of the highest critically rated superhero movies of all time and the highest grossing entry in the DC superhero extended universe by a long shot. Early rumors suggest that both Jenkins and Pine will return to collaborate on 2019’s Wonder Woman 2; but today’s breaking news means that they will now be working together much sooner than we could have expected! read more

Will The Mummy Send Universal’s Dark Universe Back to the Shadows?

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As detailed by HNN’s John Evan’s on Friday, The Mummy’s (2017) abysmal critical reception led to a domestic financial disaster at the box office with an estimated $32.2 million in ticket sales, amounting to a lot less than the average Pharaoh’s treasure.  While the studio is trumpeting the global box office as a “victory” with an estimated $141 million so far, The Mummy’s domestic reception could not have been worse for a film that was supposed to usher in a “new age of god’s and monsters.” read more

‘The Mummy’ Set to Unravel at the Box Office This Weekend Amid Poor Reviews

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Smell something rotten this weekend? That’s the stench of a sarcophagus that never should have been opened! The Mummy reboot, the first of Universal’s action-oriented “Dark Universe” monster franchise, is opening in theaters this weekend amid a slew of poor critical reviews and low box office predictions. Based on early indicators, this movie’s dropping faster than Tom Cruise’s plane featured in the movie’s zero-gravity stunt!

Taking into account of 178 critical reviews at the time of this writing, the Rotten Tomatoes Tomatometer score for The Mummy is currently sitting at an embarrassing 17%. It only gets worse when examining the site’s “Top Critics” score… the Tomatometer plummets to just 8%! The content of the reviews aren’t any better. Multiple critics refer to the film as the worst movie of Tom Cruise’s career in their reviews. Many more simply refer to the movie as “a mess.” This kind of reception doesn’t exactly inspire moviegoers to race to the multiplex. read more

‘Wonder Woman’ Director Patty Jenkins Attached to Horror Project for AMC Streaming Service, Shudder

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Patty Jenkins, the critically-acclaimed director of Monster and Wonder Woman is attached to an upcoming horror project for AMC’s horror/thriller/suspense streaming service, Shudder. According to The Hollywood Reporter, Jenkins will work on a project entitled Riprore.

This announcement comes with the incredible news surrounding the critical success and financial performance of Wonder Woman. The film is currently the third highest critically rated superhero film of all time on Rotten Tomatoes. It also dominated the box office this weekend, quickly becoming the highest grossing movie opening ever directed by a woman. Better yet, recent returns show the film will have legs at the multiplex… it earned nearly $12 million on Monday alone. To put that into perspective, Doctor Strange (another origin film for a superhero character) earned about $6 million on it’s first Monday at the box office, and just a couple of weeks ago Guardians of the Galaxy Volume 2 earned $9.8 million on it’s first Monday. This kind of critical and financial performance will undoubtedly make Jenkins one of the most in-demand directors working in Hollywood… which makes it all the more exciting that she will be returning to the kind of dark content she is known for with 2003’s Monster! read more

Sofia Coppola Becomes Second Woman Ever to Win “Best Director” at Cannes Film Festival

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Sofia Coppola is officially the second woman ever to win “Best Director” at Cannes Film Festival. She was awarded this prestigious honor on Sunday for The Beguiled, a dark thriller starring Nicole Kidman, Kirsten Dunst, Elle Fanning, and Colin Farrell. The film is being described as her most feminist work to date.

Starting off as an actress in various small roles in her father, Francis Ford Coppola’s The Godfather series, Sofia Coppola first entered the world of directing in 1996. Her debut full length film, 1999’s The Virgin Suicides earned tremendous critical acclaim; and 2003’s Lost in Translation delivered one of Bill Murray’s and Scarlett Johansson’s best performances of their respective careers. read more