After months of anticipation, the first trailer for The Girl in the Spider’s Web is finally here! Sony’s upcoming film- which contains an entirely different cast than the group featured in David Fincher’s The Girl with the Dragon Tattoo, stars Claire Foy as the iconic Lisbeth Salander, a coveted role which has been previously played by Noomi Rapace and Rooney Mara. Foy looks completely unrecognizable in the new clip. While she portrays all of Lisbeth’s iconic physical characteristics- such as her dark clothing, black tattoos, and signature hairstyle- the talented actress approaches the character with some new subtleties which make her performance unique. You can watch the trailer below:
Anyone who recently witnessed Sylvia Hoeks’ performance as a psychotic replicant in Blade Runner 2049 knows that the actress is destined for much greater recognition and opportunities in the future.
And according to Variety, it also appears that director Fede Alvarez (Don’t Breathe) agrees, as the Dutch actress is about to join his production of The Girl in the Spider’s Web, a sequel to The Girl with the Dragon Tattoo.
Claire Foy (The Crown)will play Lisbeth Salander this time around, taking over for Rooney Mara. Hoeks will portray Lisbeth’s twin sister in the film, who at this time appears to be the antagonist of Spider’s Web. read more
Blade Runner 2049 is a breathtaking achievement which can remind even the bitterest critic of contemporary moviemaking that the big studios can still deliver artistic, emotional, and thought provoking material to cinemas. Between its expert handling of the source material, its downright gorgeous set design and cinematography, and its incredible performances, the film is a bona fide masterpiece which is more than worthy of the Blade Runner name.
Thirty-five years ago, Blade Runner was released in theaters after a rocky production period. The film didn’t exactly receive a warm reception, and there have since been multiple cuts of the film to more accurately reflect director Ridley Scott’s unadulterated, yet updated vision. However, throughout all of the cuts of the movie, fans and critics began to appreciate it more and more. Its aesthetic was decades ahead of its time, and its themes and motifs were simply beyond the scope of anything else available in the early 80s. It was beautiful, it was terrifying, it was haunting, and it was unforgettable. The movie has since achieved the kind of legendary status that few of its contemporaries currently enjoy; and creating a sequel after 35 years of nostalgia and canonization would be a daunting task for any director. read more