Five episodes into the season, Fox’s The Exorcist has fully returned to form and is now firing on all cylinders! After a shaky start, the series now seems to remember what made Season One so incredible in the first place: character development and slower, more nuanced scares.
The kids of Andrew Kim’s (John Cho) foster home finally feel three dimensional because they’re given some lengthy scenes to be all in the same place to take a breather. The group goes on a camping trip as the result of a thinly-veiled effort on Kim’s part to alleviate the problem with Grace (Amélie Eve), which Kim believes is a stress-induced psychological manifestation. The viewers know that the problem goes much deeper than psychology when Grace begins stalking Father Tomas (Alfonso Herrera) around the abandoned Kim home. Grace’s supernatural presence is accompanied by stereotypical bumps in the night and swinging chandeliers, but the show really kicks it into high gear with more original scares like the final scene where Grace appears behind the damaged painting and turns into something altogether different. Bonus points should be awarded to the filmmakers for playing the scene without any startling musical cues… the imagery alone is enough for the scene to be altogether unsettling!