“Auteur filmmaking”- a term used to describe movies which are the product of the sole vision of their director- has been used to describe the process and works of such masters of cinema as Alfred Hitchcock, Stanley Kubrick, and Martin Scorsese since the concept originated in France in the 1940s. The term “auteur” has since been reserved for directors whose approach is so signature and iconic that their works would simply be altogether different had they been directed by anyone else. While the “single-vision” concept has resulted in some of the greatest films of all time, the approach has since taken a back seat to the contemporary “filmmaking by committee” style employed by many major studios (which is why most of the Marvel superhero movies- with some notable exceptions, such as Guardians of the Galaxy– have mostly been directed by newcomers or hired guns with experience in completely different genres, yet they all have the same unmistakable market-tested sense of humor and mind-numbingly unimportant finales). Fortunately, this doesn’t mean that the auteur style is dead entirely. Some contemporary expert directors are currently turning in their best work, and any student of film knows them by name: Denis Villeneuve, Darren Aronofsky, Paul Thomas Anderson, Quentin Tarantino, Christopher Nolan, and David Fincher.
Outside of Nine Inch Nails and How to Destroy Angels, Trent Reznor and Atticus Ross are known for their incredible musical scores for films such as The Girl with The Dragon Tattoo and Before the Flood. The academy award winning duo have recently turned their attention to the 1978 classic, Halloween, to celebrate the upcoming release of John Carpenter’s LP, Anthology: Movie Themes 1974-1998. The album will feature new recordings by Carpenter of his most famous movie themes during his most prolific period of directing and scoring his own films. To raise awareness of the upcoming release, Reznor and Ross have released a track to the web entitled “John Carpenter’s ‘Halloween’ Trent Reznor & Atticus Ross Version” The track runs nearly eight minutes long, and it contains all of the classic musical trademarks of the original recording along with new signature musical twists which are consistent with Reznor’s and Ross’ work. read more