For the second year in a row, Tyler Perry’s Halloween-themed installment in his popular Madea series topped the box office with $21.6 million in ticket sales. The sequel to Boo: A Madea Halloween easily beat out the CGI-heavy disaster movie Geostorm (which is yet another big budget studio flop that no one asked for) taking in only $13.3 million this weekend, even though Boo 2 played in 858 less theaters. With this recipe for review-proof success, don’t be surprised to see Boo 3 next year at this time.
Universal’s Happy Death Day “blew out the candles” on their competition this weekend, finishing with the top spot at the box office.
The Pg-13 horror version of Groundhog Day attracted a teen audience drawn in by the young cast and fairly positive reviews (the film scored a 64% rating on Rotten Tomatoes) to take the title this weekend with an estimated $26.5 million, and it has the chance to add more next weekend as film-goers search for more scares in the month of October. The film’s budget came in under $5 million, so it is all gravy at this point forward for Universal. read more
It was a three way battle for the box office crown this weekend, but in the end, It appears to have climbed to the top of the heap once again, collecting an estimated $17.3 million in sales.
Final numbers will be released late Monday, but it looks like It was able to narrowly beat Tom Cruise’s American Made and Kingsman: The Golden Circle ($17 million). The Stephen King adaptation continues to deliver impressive numbers nearly a month into its release, currently standing at $291 million at the domestic box office. It will probably drop from the top spot next weekend when the highly anticipated and well-reviewed Blade Runner 2049 opens (96% on Rotten Tomatoes), but Pennywise will most likely stay in theaters throughout October, adding to an already record-setting total. read more
Even though It finished second to Kingsman: The Golden Circle at this weekend’s box office, It continued to add to its record-breaking totals by adding an estimated $30 million this weekend for a grand total of $266 million.
Earlier in the week, many media outlets reported the news that It is now officially the highest grossing horror film in history (although it does have a long way to go to catch the Exorcist which made over $232 million in 1973, which when adjusted for inflation totals over $983 million) and it is showing no signs of slowing down either. The film should clear north of $320 million when it finally leaves theaters, and with October right around the corner, people will still be looking for Halloween scares at the theater. read more
Expectations were high for what It would do at the box office this weekend, but no one predicted the $123 million explosion that the film delivered at movie houses around the country.
Most bullish predictions placed the film at a $70 million dollar debut, but It delivered the second largest R-rated opening weekend of all time, only behind Deadpool’s $132 million haul. If the initial estimates hold, It will be the third highest opening of the year, beaten only by Beauty and the Beast and Guardians of the Galaxy Vol. 2. read more
Expectations for It have been sky high for months, driven primarily by the depressing summer movie receipts (which are some of the worst returns in 25 years).
Well, it looks like the box office totals for It will be more “Penny Wise than pound foolish” this weekend as the Stephen King adaptation earned an estimated $13.5 million on Thursday night.
It is actually the third highest debut Thursday of 2017, behind only Guardians of the Galaxy Vol. 2 ($17 million) and Beauty and the Beast ($16.3 million). The film also established records for the largest Thursday gross for a horror movie, R-rated release, September release, and for a film based on a Stephen King book. read more
The summer of 2017 has been full of big budget disappointments and smaller films that were not able to capture moviegoer’s interests (and more importantly, ticket purchases).
And when it come to horror films, unlike 2016’s bumper crop of summer hits such as Lights Out, The Conjuring Two, and Don’t Breathe, no genre picture was able to get horror fans into the theater…until now.
Annabelle: Creation easily won the weekend box office with an estimated $36 million dollar take and is poised for a profitable run at the box office, with no worthy competition until the release of Stephen King’s It on September 8th. read more
According to deadline, the sequel to Guillermo del Toro’s kajiu vs. robot smash fest Pacific Rim, Pacific Rim Uprising, is moving into a crowded March 2018 schedule, but away from a potential box office heavy weight, on Friday March 23rd.
Although the sequel (directed by Steven S. DeKnight who will be making his silver screen debut after a number of television writing and directing jobs) moves into a crowded March with A Wrinkle in Time (March 9th), Tomb Raider (March 16th), Robin Hood (March 23rd), and Ready Player One (March 30th), it does move far away from Black Panther which debuts on February 16th and all current signs point to a long reign for King T’Challa at the box office. read more
Deadline is reporting that Lars Klevberg’s film Polaroid (which was adapted from a short film he directed) has been moved from August 25th to December 1st.
Although the main reason cited has to do with the animated ballet story Leap! being moved up from a September opening (a film that has already been moved around the calendar a number of times), the move also allows Polaroid to retreat from Annabelle: Creation, which may be the only heavyweight horror contender at the box office this season. read more
In a recent interview with Collider, Ridley Scott revealed that he cut just about 20 minutes from his latest film Alien: Covenant.
Scott cut the 20 minutes based on test screenings and in an effort to bring the film in at just over the two hour mark. Scott actually appeared happy with the feedback from the test screenings and there were no signs that the director was told to trim the film by his producers (no Blade Runner-style creative showdowns it would seem). Scott asserted that sometimes a director “…thinks you know everything, but you don’t”. read more