Horror fans love “making of” documentaries. What fan doesn’t want to find out what was going through the director’s mind as they filmed a particular favorite scene or killed off a main character? Well, director Nick Hunt (Safe Place) and producers Adam Marcus (director of Jason Goes to Hell: The Final Friday) and Johnny Macabre (Don’t F*ck in the Woods) will be taking us on a journey of what was going on behind the scenes of that crazy ninth installment of the Friday the 13th franchise: Jason Goes to Hell.
According to a post by Deadline, American Horror Story head honcho Ryan Murphy has brought Dame Joan Collins on board for the upcoming eighth season of the mammoth show. Another big name being dangled (but not confirmed) is that of legendary actress Anjelica Huston. Collins (and maybe Huston) joins a cast that already includes Sarah Paulson, Evan Peters and the always-incredible Kathy Bates.
While there has been no confirmation of what the theme will be for this season, there is speculation that we may need to prepare for life in a post-nuclear war Arizona in American Horror Story: Radioactive! Again, that is just rumor at this point but it’s always fun to discuss. read more
The real question here is why did I allow myself to watch this movie in my dark basement while everyone in my house was asleep? I must really be a glutton for punishment because I did exactly the same thing with this year’s other terrifying supernatural film, Carlos Algara’s Verónica. There are two sub-genres of horror that really strike a nerve with me: one is home-invasion and the other is, you guessed it – the supernatural.
Now, I don’t know for sure what I “believe” when it comes to the supernatural, demons, possession, etc. What I do think, however, is that it’s possible…and since I think it’s possible, movies about the supernatural that are well done really make my skin crawl; well, Pyewacket made my skin crawl damn near off my body. read more
Frank Henenlotter’s 1982 cult classic film Basket Case holds a special place in my heart. Basket Case was one of the many doozies that my mother brought home from the video store during those glory days of VHS. I can vividly remember our living room being filled with hysterical laughter which quickly turned to disgusted groans and then back to laughter as my parents and I digested this odd film about a pair of brothers (sort of) and their first trip to New York City.
Having always sort of flown under the radar among mainstream horror fans, I was surprised, and intrigued, to learn that the Museum of Modern Art helped to restore Basket Case from it’s original 16mm film and scan it to 4K for this Arrow release. That, although interesting, left me a bit worried. What would a “fixed” version of Basket Case look like? Would it lose that gritty feeling? How would early 80’s New York City look with a 4k restoration? The answer is simple: it looks incredible. read more
Writer James V. Simpson, known for penning 2009’s Armored starring Matt Dillon, Jean Reno and Laurence Fishburne, has just seen his script Intruders picked up by Paramount. The film will be produced by Dan Farah of Farah Films who produced Simpson’s last script Armored and more recently Steven Spielberg’s Ready Player One. Also producing is Vertigo Entertainment who has been involved in such horror titles as It (2017) and The Strangers (2008).
Before director William Friedkin struck gold in Hollywood with The French Connection in 1971 and then The Exorcist in 1973, he made his bones as a documentary filmmaker in the early 60’s. It should comes as no surprise then that he would return to his roots in documentaries and combine that with something with which his name has become synonymous over the years: exorcism.
See the synopsis of The Devil and Father Amorth below.
Years after he changed the landscape of American filmmaking with 1973’s THE EXORCIST, director, co-writer and legendary storyteller William Friedkin moves from fiction to fact with his new documentary, THE DEVIL AND FATHER AMORTH. What began as a brief conversation between Friedkin and Father Gabrielle Amorth – the head Exorcist for the Diocese of Rome for over 30 years – as two professionals who knew of each other’s work soon transformed into an once-in-a- lifetime opportunity, as Amorth agreed Friedkin could film an exorcism ceremony. It would be the ninth exorcism for a painfully afflicted woman, Cristina (a pseudonym), who had already been under Father Amorth’s care – and it would be filmed by Friedkin alone, with no other crew allowed, no light other than the natural light in the room and a small digital camera-and-mic unit that could capture the ritual and
Combining the startling and singular footage from Cristina’s exorcism with interviews from priests and psychologists, neurosurgeons and non-believers, Friedkin guides us on a journey into the twilight world between the boundaries of what we know and what we don’t with a singular and startling guide in the form of the urbane, charming and self-deprecatingly funny Father Amorth, a man who laughs in the face of the Devil both figuratively and literally. Combining Friedkin’s past memories and present observations with archival footage and new interviews – as well as also presenting what may be the only real exorcism ceremony captured on film – THE DEVIL AND FATHER AMORTH is a startling and surprising story of the religion, the ritual and the real-world victims involved in possession and exorcism.
The Devil and Father Amorth is set to open in select theaters on April 20th. Keep it locked to Horror News Network for more info and in the meantime, check out the trailer below: read more
Rumors have been swirling for months about the possibility of Rob Zombie secretly working on a third film featuring that wacky Firefly family that he introduced the world to with 2003’s House of 1000 Corpses and then the 2005 sequel The Devil’s Rejects. Well, Mr. Zombie announced to the world today via his Instagram account that filming has begun on 3 From Hell (or Three from Hell).
While there is no word on casting yet, not even an IMDB page for the film, we can see by the hashtags that, at the very least, Rob’s wife Sheri Moon Zombie (Baby Firefly) and Bill Moseley (Otis) are returning for the action; no word yet on whether fan-favorite Sid Haig (Captain Spaulding) also survived that hail of bullets at the end of Devil’s Rejects (spoiler alert). read more
The 2018 Academy Awards have come and gone and fans of horror and genre film have something to smile about this morning as there were big wins, and nominations, for genre films.
Jordan Peele’s Get Out was the winner in the Best Original Screenplay category and had nominations for Best Picture, Best Actor (Daniel Kaluuya) and Best Director (Peele).
Guillermo del Toro’s The Shape of Water was the biggest winner though with wins for Best Picture, Best Director (del Toro), Best Original Score (Alexandre Desplat) and Best Production Design (Paul D. Austerberry, Jeffrey A. Melvin and Shane Vieau). Shape also had nominations in Best Actress (Sally Hawkins), Best Cinematography (Dan Laustsen), Original Screenplay (del Toro and Vanessa Taylor), Best Film Editing (Sidney Wolinsky), Best Supporting Actress (Octavia Spencer), Best Sound Mixing (Glen Gauthier, Christian Cooke and Brad Zoern), Best Sound Editing (Nathan Robitaille and Nelson Ferreira), Best Costume Design (Luis Sequeira) and Best Supporting Actor (Richard Jenkins). read more
Continuing our coverage for Women in Horror Month, we caught up with Shriekfest’s Denise Gossett. Denise is the Founder and Director of Shriekfest, a horror film festival and screenplay competition in Los Angeles that is now in its 18th year. Denise talks to us about her life in horror and her decision to start the festival.
Stephanie Shamblin Gray: Have you always been a fan of horror?
Denise Gossett: I have! Horror films were the only rated “R” films my parents would let me and my brother watch. Weird, I know…so, we took full advantage! read more
Last summer, the world was (mis)treated to Nikolaj Arcel’s vision of Stephen King’s “Gunslinger” series in The Dark Tower. While the work of Idris Elba as “Gunslinger” Roland Deschain and Matthew McConaughey as The Man in Black was fantastic, they could not save what was mainly an attempt at dumbing down King’s opus to make a Percy Jackson-esque teenage adventure film.
But..I digress. The news here is that, while there were always talks of intertwining multiple films with a television series to try and capture the breadth of the Gunslinger’s world, it appears that the awfulness of the first film has not killed off the possibility of seeing a television series…kind of. read more